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short fiction
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Fiction
FUTURE GLASGOW: Mars/Earth/Sun by Rebecca Green
Interviews
,
Fiction
IT TOOK EVERYTHING I HAD: Andrew O’Hagan on ‘Caledonian Road’ and more
Review
,
Poetry
,
Scots
BELIEIN YER AIN LEED: On ‘Contermacious Temerity’ by Keeks Mc
Interviews
THE MYTH OF OUR AGE: Josie Giles and Rody Gorman chat all things Sweeney
Altan
,
Eadar-theangachadh
,
Gàidhlig
An Treasamh Oidhche le Natsume Sōseki | Eadar-th. le Caoimhin MacNèill
Poetry
,
Spoken Word
ANNOUNCING: The First Ever GRB Poetry Slam!
Review
,
Poetry
,
Visual Poetry
IDEAS OF BURNING: On ‘Candle Poems’ by Greg Thomas
Poetry
,
Review
,
Spoken Word
AUDIENCES LOVE THE SLAM: On The Scottish Poetry Slam Championships
Fiction
,
short fiction
FUTURE GLASGOW: Clutha 2525 by SJ Ward
Review
,
Poetry
TO FEEL AND WRITE, NOT STAND AND WAIT: ‘The Department of Work and Pensions Assesses a Jade Fish’ by Nuala Watt
Review
,
Non-fiction
WORKING TO CHANGE POPULAR CULTURE: On ‘Listen’ by Michel Faber
Altan
,
Gàidhlig
Ìmpireileas Rùisgte: Aiste & Trì Dàin le Deborah Moffatt
Interviews
,
Contemporary Fiction
,
Fiction
HISTORY FOR MODERN TIMES: Sara Sheridan on her new novel and more
Review
,
Poetry
,
Spoken Word
FOOD IS JUST A FORM OF LANGUAGE: On ‘Knead’ by Sean Wai Keung
Poetry
,
Spoken Word
SEIZE THE STAGE: A History of the Scottish Slam Championships
Interviews
,
Poetry
,
Translation
IN THE SKIN OF TWO WORLDS: An interview with Hubert Matiúwàa
Interviews
,
Poetry
I EXPECTED FAILURE: An Interview with Daljit Nagra
short fiction
,
short story
FUTURE GLASGOW: Forever in Scotland by Callum McSorley
Interviews
,
Poetry
IMMERSIVE, QUIRKY, MULTI-SENSORY: An interview with Ryan van Winkle
Review
,
Memoir
RADICAL ACTS OF SELF-CARE: On ‘Twelve Moons’ by Caro Giles
Review
,
Poetry
SEASONS’ INEVITABLE ENDINGS: ‘When the Whooper Swans Came’ by Jane Picton Smith
Review
,
Fiction
NO ESCAPE FROM THE SELF: On ‘Looking For A Kiss’ by Richard Cabut
Review
,
creative non-fiction
,
essays
EVERY MATERIAL DETAIL: On ‘Imaging | A type history’ by Juliet Ramsden
Review
,
Fiction
A SHIPLOAD OF SYMBOLIC FREIGHT: On ‘Chimera’ by Alice Thompson
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