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Contemporary Fiction
7 May 2019
Even More Mad: Ariana Harwicz, ‘Feebleminded’, translated by Carolina Orloff and Annie McDermott
30 April 2019
The Mundane Goes Weird: ‘Live Show: Drink Included’ by Vicky Grut
6 December 2018
PARTIAL SYMMETRIES: Norah Lange’s ‘People in the Room’ and Carla Maliandi’s ‘The German Room’
30 October 2018
FALLING FOR THE ORIENT ALL OVER AGAIN: Mathias Enard’s ‘Compass’
30 September 2018
OLD ECCENTRICS. PATHETIC HIPPIES: Subversion and Ecology in Olga Tokarczuk’s ‘Drive Your Plow Over the Bones of the Dead’
25 September 2018
AESTHETICS OF THE CREPUSCULAR: Esther Kinsky’s ‘River’, trans. by Iain Galbraith
28 August 2018
EIBF 2018: LENDING A VOICE: Translated Literature and Migration
26 July 2018
NO HONOURABLE GODDAMN STEREOTYPES HERE: ‘An Ounce of Practice’ by Leo Zeilig
19 July 2018
CHARCO PRESS: Making Waves with Writers from Across the Pond
1 March 2018
A CONTEMPORARY PERSPECTIVE: ‘Conradology,’ edited by Becky Harrison and Magda Raczynska
30 January 2018
A BILINGUAL NOTICE: ‘Suite for Barbara Loden’ by Nathalie Léger, translated by Natasha Lehrer and Cécile Menon
16 January 2018
METONYMY, OR DAPPLED TRANSLATION: Robin Munby translates Vadim Muratkhanov
1 December 2017
INTENSE MOMENTS WITH STRANGERS: ‘The Spit, the Sound and the Nest’ by Kathrine Sowerby
15 November 2017
SOME THOUGHTS ON ‘PROTEST’
21 September 2017
LIVES SUSPENDED: An Essay on ‘Refugee Tales’ and ‘Refugee Tales II’, edited by David Herd and Anna Pincus
28 August 2017
EIBF 2017: A SYMPATHISING EYE ON TRANSLATION – the Man Booker International Award
16 August 2017
EIBF 2017: An Interview with Ever Dundas
4 July 2017
“WE”: BRIT BENNETT’S ‘THE MOTHERS’
20 June 2017
STORIES FROM THE MIND’S EYE: Camilla Grudova’s ‘The Doll’s Alphabet’
12 June 2017
BEHIND THE IRONIC CURTAIN: ‘Mikhail and Margarita’ by Julia Lekstrom Himes
8 June 2017
SINISTER STREET: Carolina Sanín’s ‘The Children’, translated by Nick Caistor
23 May 2017
AN OBSCURE AND UNUSUAL WINDOW ONTO A CITY: Jason Donald’s ‘Dalila’
11 May 2017
PIECES OF A PUZZLE: ‘Tangram’ by Juan Carlos Márquez, trans. by James Womack
29 March 2017
A TROUBLING TRANSFORMATION: A. Igoni Barrett’s ‘Blackass’
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