Uncategorized

9 September 2023

TENDING THE VOID: The GRB interview with author, Chris Kelso.
6 July 2023

“WE ARE GLORIOUS FAILURE. WE ARE PERENNIAL HOPE”: Scottish Football Poetry
15 January 2020

SUBMISSIONS CLOSED!
30 September 2019

THE LAST CHANT – A SHORT STORY BY CHIN LI
9 September 2019

THE NOSTALGIA OF ‘MY BRILLIANT FRIEND’: FEVER, FICTION, and MEMOIR
19 June 2018

I WAS HERE: ‘SOUVENIR’ BY ROLF POTTS
3 May 2018

THE DEFIANT SPIRIT OF A GENERATION: Hamid Ismailov’s ‘The Devil’s Dance’, trans. Donald Rayfield
12 April 2018

NOT A WHITE HEAT: J.M. Coetzee’s ‘Late Essays: 2006–2017’
31 January 2018

THE DOORS – EXCERPT FROM A BOOK BY COLIN CAMPBELL ROBINSON
23 December 2017

READS OF THE YEAR 2017: Andrew Lees
19 September 2017

EIBF 2017: TRAVELOGUE WITH A TRAVELOGUE OF TRAVELOGUES* – Outriders
8 June 2017

SINISTER STREET: Carolina Sanín’s ‘The Children’, translated by Nick Caistor
5 June 2017

DETROIT: THE COMPOSITE CITY
8 March 2017

GIDEON THE IDOL MAKER – A SHORT STORY BY CRAIG BURNETT
25 January 2017

MY LOVING BLOOD – A SHORT STORY BY JUDY UPTON
11 January 2017

MARCH OF THE MONOLITHS – A SHORT STORY BY MARTIN CATHCART FRODEN
8 December 2016

ON THE AFTERLIFE OF CZECH SURREALISM: Vítězlav Nezval’s ‘The Absolute Gravedigger’ translated by Stephan Delbos and Tereza Novická
19 August 2016

EIBF 2016: REDRESSING IMBALANCES: The Different Faces of Translation
10 March 2016

THINGS INVISIBLE TO SEE: Russia’s vanishing act on Ukraine and the country’s literary renaissance
7 August 2015

NEW POETRY BY BRIAN BEATTY
25 June 2015

WRITING THE SELF: ‘The Letterbooks of John Evelyn’ (eds. Douglas D. C. Chambers and David Galbraith) and the Art of Communication
19 June 2015

NEW POETRY BY MARTYN CRUCEFIX
1 April 2015

A LAST LOOK ROUND: SEBASTIAN BARKER’S ‘THE LAND OF GOLD’
27 January 2015

GERMAN HISTORY IN FICTION: A Conversation with Fiona Rintoul