by Eveline Pye There have been several initiatives designed to encourage poets to write about climate change. Magma devoted an entire issue to climate change in 2018. Extinction Rebellion Oxford is currently soliciting… Continue reading
ROBIN LEIPER is a psychotherapist living in Scotland and South Africa and trying to write in the spaces between them. He has been published here and there. PIPPA LITTLE is from St. Andrews… Continue reading
Kate Bush How To Be Invisible (Faber, 2018) by Becky Varley-Winter In her lyrics to ‘The Sensual World’, Kate Bush draws inspiration from Molly Bloom, the ‘Penelope’ figure and ‘mountain flower’ whose orgasm… Continue reading
2018 was the year I started to read obsessively, hungrily, like a child again. Maybe this was because the internet was giving me nausea; maybe because I turned towards authors whose work not… Continue reading
Editor Rebecca DeWald met Annie Rutherford, translator of Hydra’s Heads, the first English-language collection of poems by German poet and performer Nora Gomringer. Nora Gomringer, Hydra’s Heads, translated by Annie Rutherford (Burning Eye… Continue reading
Mesándel Virtusio Arguelles’s 18 books in Filipino include, among others, Guwang, Pilas ng Papel: Mga Sanaysay sa Tula, Pesoa, and Kurap sa Ilalim, as well as a volume of selected poems, Ang Iyong Buhay ay… Continue reading
By Inga Pizāne In September 2017, four Latvian Poets (Eduards Aivars, Henriks Eliass Zēgners, Katrīna Rudzīte, Inga Pizāne) and four British Poets (Llŷr Gwyn Lewis, Kathrine Sowerby, William Letford, and MacGillivray) came together… Continue reading
This is the last of five instalments of work as the result of the 2017 Edwin Morgan Trust translation workshop. Three Portuguese and three Scottish poets met, under the guidance of facilitator Tom… Continue reading
This is the third of five instalments of work as the result of the 2017 Edwin Morgan Trust translation workshop. Three Portuguese and three Scottish poets met, under the guidance of facilitator Tom… Continue reading
This is the second of five instalments of work as the result of the 2017 Edwin Morgan Trust translation workshop. Three Portuguese and three Scottish poets met, under the guidance of facilitator Tom… Continue reading
