GUID, RAUCH, FINE FLYTING: Three Poems by Jo Gilbert


Earlier this week, we published our review of WTF Is Normal Anyway? – the new collection by Aberdeen-based, spoken word artist and writer, Jo Gilbert.

Our reviewer, John Bolland, said it was:

“a brilliant sequence of poems which map a life-journey from childhood through love, loss & recovery to feisty self-definition”.

Wouldn’t it be great (he also said), to see original writing in Scots (like Jo’s) recognised more widely as deserving of acclaim and promotion. You can read John’s full review here – while today, we are also pleased to publish another of our selections, by the author, of poems from their book. 


This is how it feels

Perfect. Perfectly perfect. Perfectly perfect in Paco sweater, pleated skirt, perfect perms, no curl dares stray out of place. Perfect pan-stick, pale pink perfect pouts poised to plant pecks on perfect pink cheeks.
Nae me. Nae Us.
We are thunderstruck storms, raging against Stepford social norms, stomping our ground with Dr Marten souls. Red or Dead rubber jackets purple velvet flares so wide you can hardly see our feet sent home from school in our Inspiral Carpets ‘Cool as F**k’ hoodies. Kohl clarted eyes gaze through pale blue moon shades framed by Janis Joplin dirty blonde waves, unruly, parted like the red sea, wild as a country hedge, growing where we feel like it, thriving, raving, little fish, big fish, outside the box.

Hankerin

I’ve a hankerin.

A recht hankerin

for french toast,

the wye you makk it.

Mines aye turnt oot spongy,

owerdeen, nae sae guid

nae metter ma method –

usin butter or olive oil,

time soakin the breid,

experimintin wae pans an heats,

bit nivver recreatin yours.

Aa shut ma een, aa smell it,

aa the chef’s kissies, crisp edges, jist perfect.

Picter ma mou openin tae ate it, slaverin,

watchin you, watchin me,

waitin for ma question

‘Babe, how dae ye mak it sae fine?’

Yer best Elvis replies,

Made wae a spoonfulla lurve Momma

ye wink

oot o existence.

As aa open ma een, ma hert catches up.

I’ve a hankerin,

a recht hankerin,

for you.


The incredible thinking person

For Scott

The incredible thinking person
is super skilled at blowing up
thoughts & feelings to ridiculous proportions, 
to the point where there’s a danger
their head may actually burst.
Thought follows thought after thought eating those 
thoughts and fucking every thought in the skull
breeds more thoughts ties insecurities to childhood memories
and what that cunt said twenty years ago
knots them tight makes them true
until the mind is a scrambled ball of wool 
clawed by an evil kitten into a pile of goo.
Kaboom!
Brain matter splatters over shocked strangers
faces frozen in wide o’s,
unable to believe what they’ve seen.
The incredible thinking person
has finally kaput, packed in, overloaded,
spurted their mountains made from molehills
over the general population.
Trillions of thoughts flop like goldfish, 
twitching, mouths open, close, open
gasping to be fed.

About the Author

Jo Gilbert is a spoken word artist and writer from Aberdeen.

Their work has featured on BBC Radio 4 show Tongue and Talk, art exhibitions and films, as well as spray-painted on a mural at Aberdeen Beach.

Past projects and commissions include: StAnza Poetry Festival, Aberdeen Art Gallery and Museums, National Theatre of Scotland, and Aberdeen Performing Arts.

Jo published debut poetry collection ‘WTF is normal anyway?’ in August 2022 with
Seahorse Publications and was a finalist in the Loud Poets Grand Slam Final at Edinburgh International Book Festival 2023. Jo is also the current Oooh Beehive UK online slam champion.


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The Glasgow Review of Books (ISSN 2053-0560) is an online journal which publishes critical reviews, essays and interviews as well as writing on translation. We accept work in any of the languages of Scotland – English, Gàidhlig and Scots.

We aim to be an accessible, non-partisan community platform for writers from Glasgow and elsewhere. We are interested in many different kinds of writing, though we tend to lean towards more marginal, peripheral or neglected writers and their work. 

Though, our main focus is to fill the gap for careful, considered critical writing, we also publish original creative work, mostly short fiction, poetry and hybrid/visual forms. 

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