RUSSELL JONES is an Edinburgh-based writer and editor. He has published four collections of poetry, the most recent being The Green Dress Whose Girl is Sleeping (Freight Books, 2015). He is the deputy editor of Shoreline of Infinity, a science fiction magazine, and is the editor of Where Rockets Burn Through: Contemporary Science Fiction Poems from the UK (Penned in the Margins) and the forthcoming Umbrellas of Edinburgh: Poetry and Prose Inspired by Scotland’s Capital City (Freight Books). Russell also writes fiction and his first YA novel, The Talkers, was shortlisted for the $50,000 Half the World Global Literati Award. Russell has a PhD in Creative Writing from The University of Edinburgh. He enjoys White Russians, Twiglets and karaoke.

BRIAN JOHNSTONE‘s work has appeared throughout Scotland, elsewhere in the UK, in North America and in Europe. He has published six collections, most recently Dry Stone Work (Arc, 2014), and his work appears on The Poetry Archive website. His memoir Double Exposure will be published by Saraband in February 2017. brianjohnstonepoet.co.uk

After Dark

The millipede won’t choose
between comfort and cruelty;
its ringed underside, broom feet
only feel for the earth.

I put my pupil to the eyepiece
of a telescope, focus
on the burning galaxies.
I feel my ribs harden,
jaw sharpen,
remove my shoes.

Soon, the millipede finds me
scuttling in the darkest corners.

 
Scrump

Dad’s the only god I’ll need. Recall the coos
from wet-perm women, enough to keep
the small town talking for a decade.

Recall the car rides, the offy, blue bags
built for house party booze, ciders
for under sixteens, the sodden fumbles.

Man, the distance only improves.
Recall the apple: green, pulled apart
at the seeds, know all gods are fanciful.

Study, screw about, make your home
in the orchards. Recall the wildfire, drink
enough to keep your old man talking.

                                                                                Russell Jones

A Penny for the Forth

We learned to count the girders, aim
for gaps that would allow

us passage to the surface of the firth
the ritual required. Windows

lowered on their straps,
we kids lined up in corridors, ready

for the flash of red repeating
in our eyes, the gorge of cantilevers

swallowing the train. The tone
would change, rhythms subtly alter

as the central span drew near
where each hand loosed its penny

as, rattling high above the estuary,
steam and coal and metal

bore us on. The luck we’d gained
in store for us, our passage freely paid.

                                                                                Brian Johnstone

All works published by the Glasgow Review of Books are licensed under a Creative Commons Attribution-NonCommerical-NoDerivs 3.0 Unported License and the journal reserves the right to be named as place of first publication in any citation. Copyright remains with the poet. http://www.glasgowreviewofbooks.com