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24 September 2023

SCOTLAND’S CLIMATE WEEK: Climate Change at the Edinburgh Festivals
23 September 2023

LANDSCAPE, WARMTH & FOLKSINESS: Celebrating 25 years of the Wigtown Book Festival.
28 April 2020

THE SEA OR THE MOUNTAIN: Two Histories of Environmental Thinking
16 April 2020

The State of the Poetic Nation: StAnza 2020
29 January 2020

CLIMATE CHANGE POETRY: IS IT EFFECTIVE?
9 September 2019

THE NOSTALGIA OF ‘MY BRILLIANT FRIEND’: FEVER, FICTION, and MEMOIR
11 July 2019

REFUGEE TALES III: The Foster Child’s Tale
18 September 2018

LEANING TOWARDS ECOSEXUAL: Greta Gaard’s ‘Critical Ecofeminism’
2 August 2018

ANTHOLOGISING THE ANTHROPOCENE: ‘Arts of Living on a Damaged Planet’ and ‘Veer Ecology’
19 June 2018

I WAS HERE: ‘SOUVENIR’ BY ROLF POTTS
17 May 2018

WHAT DID WE DO?
2 April 2018

RULES AND IRREALIS: ‘THE ART OF NAMING’ BY MICHAEL OHL
5 February 2018

ON ARTIFACTUAL POETRY – AN ESSAY BY ELENI CAY
22 January 2018

WHOSE ANTHROPOCENE? ‘Anthropocene Feminism’, edited by Richard Grusin
15 November 2017

SOME THOUGHTS ON ‘PROTEST’
21 September 2017

LIVES SUSPENDED: An Essay on ‘Refugee Tales’ and ‘Refugee Tales II’, edited by David Herd and Anna Pincus
19 September 2017

EIBF 2017: TRAVELOGUE WITH A TRAVELOGUE OF TRAVELOGUES* – Outriders
23 July 2017

THE ZENNOR ROAD
23 May 2017

AN OBSCURE AND UNUSUAL WINDOW ONTO A CITY: Jason Donald’s ‘Dalila’
27 April 2017

A REFUGE FOR COMPLEXITY: Alessandro Baricco’s ‘The Young Bride’ (La sposa giovane), translated into English by Ann Goldstein
27 February 2017

THE TWO ANACHRONISMS: An Ecocritical Response to a Review – by Steve Mentz
30 December 2016

READS OF THE YEAR 2016: Mark West
29 December 2016

READS OF THE YEAR 2016: Tom White
27 October 2016

RIPOSTES AND ADDENDUMS: TEJU COLE’S ‘KNOWN AND STRANGE THINGS’