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30 March 2024
WORKING TO CHANGE POPULAR CULTURE: On ‘Listen’ by Michel Faber
24 March 2024
HISTORY FOR MODERN TIMES: Sara Sheridan on her new novel and more
20 March 2024
FOOD IS JUST A FORM OF LANGUAGE: On ‘Knead’ by Sean Wai Keung
15 March 2024
SEIZE THE STAGE: A History of the Scottish Slam Championships
13 March 2024
IN THE SKIN OF TWO WORLDS: An interview with Hubert Matiúwàa
8 March 2024
I EXPECTED FAILURE: An Interview with Daljit Nagra
6 March 2024
FUTURE GLASGOW: Forever in Scotland by Callum McSorley
3 March 2024
IMMERSIVE, QUIRKY, MULTI-SENSORY: An interview with Ryan van Winkle
29 February 2024
RADICAL ACTS OF SELF-CARE: On ‘Twelve Moons’ by Caro Giles
23 February 2024
SEASONS’ INEVITABLE ENDINGS: ‘When the Whooper Swans Came’ by Jane Picton Smith
14 February 2024
NO ESCAPE FROM THE SELF: On ‘Looking For A Kiss’ by Richard Cabut
12 February 2024
EVERY MATERIAL DETAIL: On ‘Imaging | A type history’ by Juliet Ramsden
7 February 2024
A SHIPLOAD OF SYMBOLIC FREIGHT: On ‘Chimera’ by Alice Thompson
3 February 2024
THE REBIRTH OF WOMAN: On Mary, Or The Birth of Frankenstein by Anne Eekhout (trans. Laura Watkinson)
1 February 2024
A GLASWEGIAN MASTERPIECE: On Thomas Healy’s ‘It Might Have Been Jerusalem’
27 January 2024
STRUGGLING FOR CREATIVITY: The Lives of the Artists by Susan Finlay
25 January 2024
THE GRB BURNS ESSAY: Tannahill & Burns: A Politics of Archetype in Literary Art
20 January 2024
EVERY DISCORDANT SYMPHONY: On Georg Büchner and Woyzeck
12 January 2024
WITNESS OR CONFESSION: On ‘Lucky Day’ and ‘Late Gifts’ by Richard Price
22 December 2023
TONIGHT, THE DEAD DANCE WITH HER: Cocktails with Joelle Taylor
20 December 2023
INSERT NEW GLITCHES: An interview with the Editors of ‘Brilliant Vibrating Interface’
9 December 2023
ON NATURE & BEING: In Ascension by Martin MacInnes
1 December 2023
SPIT BACK YOUR HEART: Three Novels About Musical Obsession
25 November 2023
GLASGOW THROUGH GRAY: Poor Things & Alasdair Gray’s Legacy
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