To contact any of the contributors, please write to the Glasgow Review of Books at glasgowreview [at] gmail [dot] com.
REBECCA DEWALD is a freelance translator with a PhD in Translation Studies from the University of Glasgow. She has published articles on Jorge Luis Borges and modernist translations, questioning the maintenance of a strict distinction between original works and translations. She contributes to PEN Translates, New Books in German, 12 Swiss Books, Reading in Translation and the SALSA collective. Some of her literary translations have been published by the Free Word Centre and No Man’s Land, and can be found on her website. Rebecca also organises the monthly translation meet-up Translators’ Stammtisch at the Goethe-Institut Glasgow and performs at and co-organises translation events under the moniker Found in Translation. Twitter: @DeWald_Rebecca
MARK WEST teaches at the University of Glasgow and researches the Sixties in contemporary American fiction. He completed his PhD at the University of Glasgow and is currently revising his thesis, entitled “Between Times: 21st Century American Fiction and the ‘Long Sixties’,” for publication as a monograph. He reviews books for Review31 and Gutter, and has also written for 3AM Magazine, The List, TheState, Straight off the Beach, Type Review (Glasgow), and DANCEHALL. He is a former editor of eSharp. Twitter: @markpeterwest
SAMUEL TONGUE‘s first pamphlet Hauling-Out was published by Eyewear in 2016. He has published poems in numerous journals and anthologies including And Other Poems, Anon 7, Be The First to Like This: New Scottish Poetry, The Best New British and Irish Poets 2016, Blackbox Manifold, Compass, Cordite (Aus.), Envoi, Gutter, The Herald, Ink, Sweat and Tears, The Interpreter’s House, The List, The Lumen, Magma, Northwords Now, and The Scotsman. He received a Callan Gordon Award from the Scottish Book Trust in 2013 and co-edits New Writing Scotland. He lectures in Theology and Religious Studies at the University of Glasgow. Twitter: @SamuelTongue
SHORT FICTION EDITOR
EILIDH MCCABE is a fiction writer and freelance copywriter based in Glasgow. She holds a Masters in Creative Writing from the University of Glasgow, and is currently working on her first novel.
TOM WHITE lives in London. He writes on premodern literature and the history and ecology of media. Twitter: @_TomWhite_
PETER ADKINS is a PhD candidate at the University of Kent, where he is writing a thesis on the novels of James Joyce, Virginia Woolf and Djuna Barnes in relation to questions of ecology, the nonhuman and the Anthropocene. His research interests span ecocriticism, critical theory, modernist writing, experimental fiction and animal studies. Twitter: @p_adkins87
LILIYA ALEKSANDROVA was born in Montana, Bulgaria. She has a degree in Law with Legal Studies in Europe from the University of Reading and an MPhil in European Literature and Culture from the University of Cambridge (St John’s College). She is currently studying for an MA in Translation (English and German) at the University of Vienna. She is fond of: deciphering song lyrics; foreign languages; lots and lots of black coffee; and travelling lightly.
EMILIE ANDERSON is an English and Comparative Literature student at the University of Glasgow. As a writer and illustrator, she explores new ways of merging the literary and the visual. Twitter: @emilieandersonx
A.M. BAKALAR‘s first novel Madame Mephisto was a reader nomination for the 2012 Guardian First Book Award. Her second novel Children of Our Age was published in October 2017. Her writing has appeared in The Guardian, The International New York Times, LA Review of Books, Wasafiri, Words Without Borders, Boundless Magazine, BBC Radio among others. Asia was born and raised in Wroclaw, Poland. She lives in London. www.ambakalar.com
HENRY BELL is a writer from Bristol. He lives on the Southside of Glasgow and edits Gutter Magazine. His work has appeared in New Writing Scotland, Northwords Now, 404 Ink, the Interpreters’ House and Glasgow Review of Books. You can find out more about his writing at www.henryjimbell.com. Twitter: @henbell
TOM BETTERIDGE is a PhD candidate at the University of Glasgow, writing on Alain Badiou’s readings of late-modernist poetry and prose. He is the regional editor of the International Journal of Badiou Studies and has articles on Badiou, Heidegger and Paul Celan in Evental Aesthetics and forthcoming in Textual Practice. Other writings on noise and contemporary improvisation have appeared in DANCEHALL and in the accompanying literature of the Glasgow CCA’s Noise and Chaos: X/Y event. Some poetry can be found in the Edinburgh small press magazine Scree.
MATTHEW BLAIDEN is studying for an M.Phil in Renaissance Literature at the University of Cambridge, based at Gonville and Caius College. His undergraduate studies were undertaken at King’s College London and, after completing the M.Phil, he hopes to pursue a PhD on Shakespeare. Aside from his academic work, Matthew is an active performing musician, playing organ recitals throughout the UK, and periodically blogs at http://mblaiden.wordpress.com/. Twitter: @mjblaiden.
WILLIAM BONAR‘s first pamphlet, Frostburn Steel, was published in 2004 by Dreadful Night Press and his poems have been published in a variety of newspapers, magazines and anthologies, including Fourfold 3 (June, 2014). He gained a distinction on the MLitt in Creative Writing at Glasgow University in 2008 and won the Jura Malt Whisky Prize at the Words Exhibition in the Mitchell Library in the same year. He was a participant on the Clydebuilt mentoring scheme (2009-10) under the tutelage of Liz Lochhead, and his poems appear in the anthology of that Clydebuilt cohort, North Light (Dreadful Night Press, 2012). His poem, Visiting Winter: A Johannesburg Quintet, originally published in Gutter 06, was chosen for the Scottish Poetry Library’s online anthology Best Scottish Poems of 2012. He is the recipient of the James Kirkup Memorial Poetry Prize for 2014 and his winning manuscript, Offering, will be published by Red Squirrel Press in Spring 2015.
MARK BRESNAN is Assistant Professor of English and Writing Coordinator at Stevenson University in Maryland. His research focuses on 21st-century American literature, and he has published essays on David Foster Wallace, Philip Roth, Jonathan Franzen, and Ben Fountain. He has a doctorate in English from the University of Iowa and has previously taught at New York University, St. Olaf College, and Marymount Manhattan.
AMY BROMLEY is a PhD candidate at the University of Glasgow, studying the short fiction of Virginia Woolf. She also completed an undergraduate degree and MLitt in Modernities at Glasgow, where she is co-organizer of the Theory at Random reading group. She has further research interests in Surrealism, Modernity and Critical Theory, and has published work on Marcel Proust and Walter Benjamin. Twitter: @AmyBromley1990
KATIE BROWN has an unhealthy obsession with Venezuelan literature. She has recently completed a PhD on ‘The Contested Values of Literature in the Bolivarian Republic of Venezuela’ at King’s College London, and now teaches Spanish and Latin American culture at the University of Bristol. She runs www.venezuelanliterature.co.uk, posting news, information about published translations and her own translations, and has also contributed to the Palabras Errantes translation project. Twitter: @katiebrown161
GRAEME MACRAE BURNET is the author of the literary crime novel The Disappearance of Adèle Bedeau, and the historical crime novel, His Bloody Project: Documents Relating to the Case of Roderick Macrae, which was shortlisted for the Man Booker Prize in 2016. He blogs, (mostly about Simenon) here: graememacraeburnet.wordpress.com.
GERRY CAMBRIDGE‘s fifth book of poems, Notes for Lighting a Fire (HappenStance, 2013), was shortlisted for the Scottish Mortgage Investment Trust’s Scottish Book of the Year 2013 award in the poetry section. A poet, critic, editor, typesetter and designer, Cambridge has edited the transatlantic poetry journal, The Dark Horse, which he also founded, since 1995. www.gerrycambridge.com
ELENI CAY is a Slovakian-born poet living in the UK. Her poems are widely published in anthologies, poetry magazines such as Acumen, Atticus Review and Envoi, and translated into German, French and Romanian. Her award-winning collection of Slovak poems A Butterfly’s Trembling in the Digital Age was translated by John Minahane and published by Parthian Books. Her third pamphlet of English poems was published by Eyewear Publishing in December 2017. She is known for her filmpoems, dancepoems and innovative poetic combinations, featured on Button Poetry and Moving Poems.
EDMUND CHAPMAN currently teaches English Literature at the University of Manchester. His PhD thesis, ‘Afterlives: Benjamin, Derrida and Literature in Translation’ focussed on Walter Benjamin and Jacques Derrida’s theories of translation, and included chapters on Jorge Luis Borges, James Joyce and Aimé Césaire.
DEFNE ÇIZAKÇA is a writer, editor, and lecturer based in Istanbul. She holds a PhD in Creative Writing from the University of Glasgow, where she worked on a historical and magically real novel about fin de siècle Κωνσταντινούπολη. This book won her the Gillian Purvis Award for New Writing, and a Helene Wurlitzer Writing Residency in New Mexico. She is currently expanding it for publication. Defne is also the editor-in-chief of Unsettling Wonder: A Journal of Folk and Fairy Tales and the co-editor of three books, Tip Tap Flat: A View from Glasgow (Freight, 2012), New Fairy Tales: Essays and Stories (Unlocking Press, 2013) and Miscellaneous: Writing Inspired by the Hunterian (The Hunterian, 2014). You can find her writing at www.defnecizakca.com. Twitter: @defnecizakca
A C Clarke lives in Glasgow. Her fifth collection, A Troubling Woman (Oversteps Books), came out this year and War Baby, one of the four joint winners in the Cinnamon Press 2017 pamphlet competition, is due out next year. She is currently working on a collection about Gala Dali.
TOM COLES lives in Glasgow. He works as a postman, and blogs at Getting Worse.
SEBASTIAN CONSTANTINE is an Undergraduate at Jesus College, Cambridge, studying French, Italian and Dutch, and specialises in Linguistics, Golden Age writing, and New Wave thinking. His first collection of poetry was published in 2014, and subsequent poems have appeared in various arts journals in the UK. He spends much of his time producing, writing and translating plays (he is currently working on a new translation of Pirandello’s Enrico IV for publication) and is working on both a novel and a screenplay. At University, he is President of the Cambridge University Modern Languages Society and the University of Cambridge Philharmonic Orchestra. Twitter: @SebC4.
R. A. DAVIS is a bookseller and holds an MLitt in Creative Writing from the University of Glasgow.
LAURIE DONALDSON is an honours graduate of Glasgow University with a successful career in publishing. Living in Argyll, he is now a freelance writer and editor, writing on new research in nanotechnology, the environment, poetry and film, and editing books and articles on business and finance. His research interests include land reform in Scotland and the inheritance of film noir.
KARYN DOUGAN is a freelance proof reader, copy writer, editor and feature writer, and a reviewer for The List. She runs a creative project called Let’s Talk Scotland in association with the Scottish Association for Mental Health, and will be appearing in a Radio Scotland show in 2014 discussing mental health. She is a graduate of the University of Stirling’s English Studies program and works as a subtitler for Red Bee Media.
MARTA DZIUROSZ is a Polish <> English literary translator and interpreter, literary curator and Free Word Centre’s Translator in Residence 2015-2016. While in residence she organised a rich programme of innovative events, commissioned and provided online content and worked with universities and schools. She also works for the publishing house Pan Macmillan, is a member of the Translators Association and a Free Word Associate. She has worked with or consulted for organisations such as the British Council, European Literature Network, London Book Fair, Lancaster University, Writing West Midlands, New Writing North, British Society of Perfumers, University of Silesia and others. Her writing and translations have been published by numerous publications including Words Without Borders, New Statesman, PEN Atlas, In Other Words, The Linguist, For Books’ Sake and Asymptote. She tweets at @
DAN ELTRINGHAM is working towards an AHRC-supported PhD at Birkbeck College, University of London, on William Wordsworth, J. H. Prynne, pastoral and the commons. He has published on R. F. Langley and Sean Bonney, with a book chapter forthcoming on Peter Riley and a commentary on Peter Larkin. His poetry and translations have appeared in Blackbox Manifold, The Goose: a Journal of Arts, Environment and Culture in Canada, The Clearing, Intercapillary Space, Alba Londres 6: Contemporary Mexican Poetry and Scabs are Rats Zine 4, as well as in two pamphlets, Mystics and Ithaca. He is working on his first full-length poetry collection, and co-edits Girasol Press and The Literateur.
ALEXANDER FREER is a PhD student at the Faculty of English, University of Cambridge, writing a dissertation on human and poetic development in Wordsworth. More generally, he writes about poetry, psychoanalysis, philosophy and 18th and 19th century aesthetics. You can follow his blog here. He is also a member of the university powerlifting team.
ALEX FLEMING translates contemporary literature and drama from Swedish and Russian. Her translations include works by Maxim Osipov, Ilya Chlaki, Alexei Slapovsky and Cilla Naumann. Having previously lived in Stockholm, Uppsala and Moscow, she is currently based in London. Twitter: @dapplyappley.
CALUM GARDNER is originally from Glasgow and is currently a PhD student at Cardiff University, working on the early reception of Roland Barthes in English-language literature. Calum has had writing on Barthes published in the Cambridge Humanities Review and poems in the journal Aufgabe. Other research interests include avant-garde poetry, the theory of metaphor, and the literary reception of Ludwig Wittgenstein. He is the editor of the poetry journal ZARF.
KYLIE GRANT is a writer, reviewer, gender studies student and library assistant based in Glasgow. She is currently working on her debut novel which was shortlisted for the Lucy Cavendish Fiction Prize 2011. She likes the feel of the ocean and being caught in the rain, however she is indifferent to Pina Coladas.
STEPHANIE GREEN is Irish/English, educated at Trinity College, Dublin, has an M.A. in Modernism in English Literature and Fine Art from Kent University and an MPhil in Creative Writing from Glasgow University, 2004. Her pamphlet, Flout, will be published by HappenStance in 2015. Her novel for teenagers The Triple Spiral was published by Walker Books (1989) and she has had several drama scripts broadcast on BBC Schools. She has taught at all levels, most recently at the Office of Lifelong Learning, Edinburgh University, but also works as a freelance journalist and drama reviewer. Since 2000, she has lived in Edinburgh with her husband and their son. http://sites.google.com/site/stephgreen1/home
LISA GUIDARINI is a freelance writer living near Edinburgh, with bylines in the Chicago Tribune, Chicago Review of Books and New York Journal of Books, among other publications. A voting member for the National Book Critics Circle Awards, she is past judge of the Independent Publisher Book Awards (IPPY) in the category of literary fiction. An editor, writing workshop instructor and former librarian, she holds a Bachelor of Arts degree in English Literature from Dominican University (River Forest, Illinois), as well as a Master of Science degree in Library and Information Studies from the University of Wisconsin at Madison. Twitter: @Bluestalking
DELAINA HASLAM is a translator, editor, and writer. She translates from French and Spanish, specialising in sociological and literary texts. She’s interested in collaborative translation and has been the invited translator at Poetry Translation Centre workshops (translating francophone African poetry), had a submission accepted for Newcastle University’s Poettrios Experiment, and performed collaborative translation at Sheffield’s Wordlife open mic night. She translated a short story for the Bogotá39 anthology to be published by Oneworld in May 2018. Twitter: @DelainaHaslam
OWEN HOLLAND is completing a PhD thesis on William Morris’s utopianism in the English Faculty at the University of Cambridge. He has had articles and book reviews published in the New Theatre Quarterly, Studies in Social and Political Thought, the Journal of Victorian Culture and the Victorian Network journal.
HANNAH VAN HOVE is currently completing a PhD on British avant-garde fiction at the University of Glasgow.
IAN HUNTER is a children’s writer, short story writer and poet, and his poems have appeared in magazines in the UK, USA and Canada, more recently in Phobos, Urban Fantasist and Star*Line. He is a director of the Scottish writers collective “Read Raw”, as well as being a member of the Glasgow SF Writers Circle and is poetry editor for the British Fantasy Society’s Journal.
AILSA HUTTON is a PhD candidate at the University of Glasgow where her thesis is on topographical practice and picture-making in Scotland in the long eighteenth century. Her interests include travel writing, antiquarianism and the graphic arts.
ELLEN JONES is Criticism Editor at Asymptote and a doctoral researcher at Queen Mary University of London. Her translations from Spanish into English have appeared in the Guardian, Asymptote, Palabras errantes, and Columbia Journal. Her translations of poems by Enrique Winter are forthcoming in Suns from Cardboard House Press.
EILIDH KANE has recently completed her PhD in English Literature and Theatre Studies. Her research interests include early modern authorship and collaboration, particularly co-writing, performance, printing and reading. Twitter: @eilidhkane
JOE KENNEDY is a writer and lecturer based in London. He has taught English and cultural theory at the Universities of East Anglia, Portsmouth, Brighton and Chichester, and his writing on music, literature and sport has appeared in publications such as the Quietus, The Times Literary Supplement and When Saturday Comes.
HENRY KING holds a PhD from the University of Glasgow. His poems and criticism have appeared in PN Review and elsewhere; he blogs at Between Sound and Sense.
ANNE KNIGGENDORF is a freelance writer near Kansas City, Kansas, and is a regular contributor to the Kansas City Star. Her work has been published by the Smithsonian Magazine, the Saturday Evening Post, the Los Angeles Review of Books, the Chicago Review of Books, and Bluestem Magazine. She is a graduate of St. John’s College, Santa Fe, New Mexico, and has a Master of Fine Arts in Creative Writing and Media Arts from the University of Missouri-Kansas City. She is also a United States Navy veteran. Her website is: annekniggendorf.com.
STEVE KOMARNYCKYJ is a poet, literary translator and co-director of Kalyna Language Press along with Susie Speight, who acts as editor, financial director, and resident artist. Twitter: @
CHRIS LAW is currently engaged in preparatory work for a PhD project on the topic of interpretation in Gilles Deleuze and Félix Guattari. He studied English Literature at the University of Glasgow and holds an MA in Aesthetics and Art Theory from the Centre for Research in Modern European Philosophy, Kingston University. Chris is from Glasgow but lives in London; some reviews and shorter pieces of writing can be found at his blog Open Boxes & Sealed Vessels.
ANDREW LEES is a Professor of Neurology at University College London and the author of Ray of Hope, the Ray Kennedy Biography, The Hurricane Port: a Social History of Liverpool, Alzheimers: the Silent Plague and Mentored by a Madman: The William Burroughs Experiment.
KATE LEWIS HOOD recently completed a research masters on contemporary women’s poetry and the Anthropocene at the University of Edinburgh. She is currently based in the Midlands. She is a founding editor of CUMULUS, a small print journal of experimental poetry, and amberflora, an online magazine for eco and world poetry, and her own poems have recently appeared in Zarf and DATABLEED. Twitter: @katyslh.
LIN LI was employed as a researcher at Glasgow University and Dundee University for many years before changing her vocation to fine art. Moving image and sound are the core elements in her creative practice. Her videos have been screened in various festivals in the UK and internationally. http://www.linli-art.com/
MATT MACDONALD is a poet, producer and reviewer. His debut full length collection is due out from Red Squirrel Press in November 2017. He will be taking his sixth show Matt Macdonald: Period Drama to the Edinburgh Fringe in August 2017. @MattMacPoet.
LYN MARVEN is Senior Lecturer in German at the University of Liverpool, and a translator of modern German literature. Her translations include Long Days (Comma Press, 2008) and Berlin Tales (OUP, 2009), and she has published widely on contemporary German literature with a particular focus on Nobel Laureate Herta Müller, and Berlin literature. Twitter: @lynmarven
RICHIE McCAFFERY is the author of two pamphlets (Spinning Plates from HappenStance Press and the 2014 Callum Macdonald Memorial prize runner up, Ballast Flint). His recent collection Cairn is published by Nine Arches Press. He recently completed a PhD in Scottish Literature (The Scottish poets of World War Two) at The University of Glasgow. He is the editor of Finishing the Picture: The Collected Poems of Ian Abbot(Kennedy and Boyd, 2015) and is working on his third poetry pamphlet, due out in 2017.
SHONA McCOMBES is a writer, editor and perpetual student from Glasgow, currently based in the Netherlands. She holds an MLitt in Modernities from the University of Glasgow, and is finishing an MA in Gender Studies taught jointly between the Central European University and Utrecht University. Her fiction and essays have appeared in 3:AM Magazine, Gorse, and Inquire Journal of Comparative Literature, among others. She writes occasionally at www.shonamccombes.com and tweets sporadically @shonamccombes.
GERARD McKEEVER is a writer and academic based in Thornhill, Dumfries & Galloway. He is currently publishing a series of short stories, while writing a novel set on the Solway coast (see gerardmckeever.co.uk). Gerard is a British Academy Postdoctoral Fellow at the University of Glasgow, where he completed a PhD in English Literature in 2014. He publishes a variety of research on the subject of Scottish Romanticism. Twitter: @gmckeeverwriter
STEVE MENTZ teaches literature at St. John’s University in New York City. His ecocritical work in the “blue humanities” can be found in Shipwreck Modernity: Ecologies of Globalization, 1550-1719 (2015), At the Bottom of Shakespeare’s Ocean (2009), and various articles. Creative and critical poetry and essays can be found in the open-source collection, Oceanic New York (2015) and his blog, The Bookfish. He tweets at @stevermentz.
ROBIN MUNBY is a freelance translator based in Madrid. After graduating in Modern Languages from the University of Sheffield, he moved to Tashkent, Uzbekistan, before returning to the UK to complete his Masters in Translation Studies at the University of Glasgow. He wrote his dissertation on postcolonial theory and the translation of Central Asian Russophone literature. His other interests include Basque literature in translation and Cuban-Soviet fiction. Twitter: @RobMunb
HELEN VICTORIA MURRAY is a writer, poet and critic. She is currently working towards an MRes at the University of Glasgow, focusing on the Pre-Raphaelite influence in Neo-Victorian literature and culture. Helen’s writing appears in several journals, including L’Éphémère Review, The Rising Phoenix Review, Aloud Magazine, and The Bohemyth. She can also be found at helenvictoriamurray.wordpress.com. Twitter: @HelenVMurray
MICHAEL O’BRIEN is a Secondary English Teacher and Tutor who completed an MA in English Literature at Aberdeen followed by a PGDE Secondary at Strathclyde University. He soon after attended the University of Nantes in France to gain a diploma in French Language and Literature. Michael now studies at the University of Glasgow and is working towards a PhD in English Literature. He has published on Aldous Huxley, Michel Foucault and Slajov Žižek. Recently he organised a conference on Publishing in Scotland at the University of Glasgow and is currently serving as an Editor with eSharp. His pastimes are running and weight-training. Twitter: @arbitraire
TIMOTHY OGENE is the author of The Day Ends Like Any Day (2017). Twitter: @timothyogene
DANIEL O’GORMAN recently completed a PhD in post-9/11 fiction and critical theory in the Department of English at Royal Holloway, University of London and has taught English Literature, Creative Writing, and Visual and Material Culture at Buckinghamshire New University. He is a co-convenor of the Literary and Critical Theory Seminar at the Institute of English Studies, University of London, and contributes to the open-access journal of 21st Century Writing, Alluvium. Twitter: @danog85
AILSA PEATE is a a doctoral researcher in the department of Modern Languages and Cultures at the University of Liverpool. Her research focuses on detective fiction from post-Soviet Cuba and post-NAFTA Mexico, and investigates the representation of bodies and sexualities in texts which challenge the generic archetype. She received the 2016 Harold Blakemore prize for her work on Leonardo Padura’s novel Máscaras, and is co-editor of the forthcoming book Latin American Crime Scenes. She works as a research assistant at the Institute of Cultural Capital (investigating cultural legacy) and at the University of Liverpool (researching museum policy in Argentina and Chile); as such she is currently developing her research interests in rape discourse in Mexican museum exhibitions. Twitter: @ailsapeate
TOM POW has worked as a translator/facilitator for Literature Across Frontiers, twice in Bratislava, and for Reel Festivals (now Highlight Arts) in Beirut. Recolectores de Nueces, a selection of poems translated by Jorge Fondebrider, was recently published by La Joplin, Mexico City. He is currently working with The Galloway Agreement on a word and music show, The Village and The Road, and on a project, The Year of Conversation 2019, for which he has development funding from Creative Scotland.
XENOBE PURVIS read English Literature at Oxford University, and has an MA in Creative Writing from Royal Holloway. She is a freelance writer and researcher, currently assisting in the preparation of a volume of Christopher Isherwood’s selected letters.
GRAHAM RIACH is currently complething his PhD on the contemporary South African short story at Emmanuel College, Cambridge. He works as a translator of French and Japanese, composes music for films, and writes for publications including The Junket. Twitter: @GrahamRiach
NAOMI RICHARDS is doing a PhD in Creative Writing at Lancaster University. She studied English Literature at Glasgow University and later completed a Master of Creative Writing at Auckland University, New Zealand, passing with Distinction in 2011. Since then she has had twelve short stories published in literary journals and one short story broadcast on National Radio. Her work can be found in journals such as Structo and Push and on her website www.naomirichards.co.uk. Naomi also blogs on creativity at the University of Stirling’s site The Gothic Imagination.
FIONA RINTOUL is a writer, journalist and translator based in Glasgow. Her first novel, The Leipzig Affair, was published on 10 November 2014 by Aurora Metro Books. Outside Verdun, her new translation of Arnold Zweig’s first world war classic Erziehung vor Verdun, was published in May 2014 by Freight Books.
CALUM RODGER is a poet and PhD candidate at the University of Glasgow working on the poetics of Scottish revolutionary Ian Hamilton Finlay. He is a Hunterian Associate and edited the scholarly book review The Kelvingrove Review. He runs regular poetry night The Verse Hearse, with Stewart Sanderson, and blogs at All Real Culture is Free. Twitter: @weecalrobot
ANDREW RUBENS is writing a PhD on French-Romanian poet and philosopher Benjamin Fondane. Although based at the University of Glasgow, he spends much of his time in Paris. He is also a translator; forthcoming translations include works of Fondane’s, an essay by Jean-Luc Marion and a book on Jean Genet. He is a former editor of eSharp.
STEWART SANDERSON was born in Glasgow in 1990. Widely published in prominent UK and Irish magazines, in 2014 he was shortlisted for the Edwin Morgan Poetry Award and in 2015 he received an Eric Gregory Award. His debut pamphlet Fios is published by Tapsalteerie.
KEVIN L. SCHWARTZ is a writer and scholar living in Washington, DC. He is currently a Kluge Fellow at the Library of Congress. His website is www.kevinschwartz.org
RORY SCOTHORNE works as a researcher and campaigns organiser in Edinburgh, and will shortly begin a PhD at the University of Edinburgh studying the relationship between nationalism and the radical left in modern Scotland. His first book, co-authored with Cailean Gallagher and Amy Westwell, is titled Roch Winds: A Treacherous Guide To The State of Scotland (Luath, 2016). Rory, Cailean and Amy write together as the Roch Winds Collective at their blog. Rory tweets as @shirkerism.
JESSICA SEQUEIRA is a writer and translator. She has published essays, stories and translations in the Boston Review, Los Angeles Review of Books, ReVista: Harvard Review of Latin America, Modern Poetry in Translation, Berfrois, Litro Magazine, Palabras Errantes, The Missing Slate, Ventana Latina and other publications. Twitter: @jess_sequeira
SAM SOLNICK recently completed a PhD on the relationship between contemporary poetry and the life sciences at Queen Mary, University of London, where he also teaches. He writes regularly for the Times Literary Supplement and is a contributing editor for the arts and politics quarterly The White Review.
SARAH SPENCE is a PhD researcher at the University of Glasgow, specialising in the Medical Humanities. Her current project examines stigmatised health issues (mental illness, drug addiction, obesity) in contemporary Scottish fiction. She writes poetry, short fiction and nonfiction and is an editor for literary journal From Glasgow to Saturn. She often writes about illness, science, history and animals, and tweets @_sspence.
ANNE STOKES teaches in Translation Studies at The University of Stirling. She is a literary translator of German fiction and non-fiction and recently translated a selection of poems by the (East) German poet Sarah Kirsch entitled Ice Roses (Carcanet, 2014).
A. W. STROUSE studies medieval literature in the English doctoral program at the City University of New York (CUNY) Graduate Center and teaches at Hunter College. His poems, stories, and articles have appeared in various publications. He is the cofounder and curator of Ferro Strouse Gallery. His website is awstrouse.com. Twitter: @AWStrouse
RACHEL SYKES is a Lecturer in Contemporary American Literature at the University of Birmingham. Her first book, The Quiet Contemporary American Novel, is forthcoming with Manchester University Press and she has written and reviewed for The Independent, LSE Review of Books, U.S. Studies Online, Review 31, The Toast, and This Recording.
ANIKÓ SZILÁGYI is studying for a PhD in Translation Studies at Glasgow where she is translating a 1967 pseudo-children’s novel by Translyvanian-Hungarian author György Méhes. Anikó has published essays in Groundings and eSharp, and is currently co-editing a collection of essays on practice as research to be published with Cambridge Scholars. She also co-edits the University of Glasgow’s monthly Translation Studies newsletter, and is the founder and coordinator of the Glasgow University Translation Studies Postgraduate Research Network. Anikó was an invited speaker at the 2013 European Literature Night in Edinburgh, where she talked about her recently published Hungarian translation of Alice’s Adventures in Wonderland.
JACQUELINE THOMPSON is from Arbroath, and recently completed a Creative Writing PhD at the University of Edinburgh. She has reviewed for The Scotsman, The Skinny, The Bottle Imp and The Literateur, and her poems have appeared in The Scotsman, New Writing Scotland, Gutter and Poetry Ireland Review.
BECKY VARLEY-WINTER completed her PhD, titled Reading Fragments and Fragmentation: Stéphane Mallarmé, Mina Loy, Hope Mirrlees, at Cambridge in 2014. In 2015–16 she will be a stipendiary lecturer in English at Keble College, Oxford. Her research interests include literary fragments, femininity, translation, and visual culture. Rebecca is also a poet, a reviewer for various publications, and Poetry Reviews Editor at Sabotage Reviews. Twitter: @RVarleyWinter
LAURA WADDELL lives in Glasgow and works as Digital Marketing Executive at independent publisher Freight Books, as well as for Gutter Magazine. She is a graduate of the University of Glasgow and holds an M.Litt in Modernities, with a research focus on William Carlos Williams. She is a member of writers’ collective 26. Alongside reviews, she writes a book column for women’s collective/zine TYCI, social and political articles for numerous publications, and short fiction. Twitter: @lauraewaddell Twitter: @lauraewaddell
CLARE WALKER GORE is a PhD candidate at Selwyn College, Cambridge, and has recently handed in her thesis, Plotting Disability: Physical Difference, Characterisation and the Form of the Novel, 1837-1907. Her particular research interests are in disability history and women’s writing. She has published in Nineteenth-Century Contexts, Nineteenth-Century Gender Studies and in Women: A Cultural Review, contributed to the edited collection Queer Victorian Families, and is currently one of the BBC ‘New Generation Thinkers’ for 2015-2016. You can find out more about Clare’s research on her Academia.edu page, and she can be found on twitter @CHWGore.
VICTORIA WANG is a cancer research PhD student at UCL/The Francis Crick Institute in London. She also makes time to read and sell books, and write about science and fiction. Twitter @vwang93
LYNNDA WARDLE studied English and Comparative Literature at the University of Witwatersrand, Johannesburg. In 2007 she received a Scottish Arts Council new writer’s grant and has had poems, stories and essays published in various magazines, including thi wurd and Gutter. She is the community development officer for an interfaith charity in Glasgow. More of her writing can be found on her website at www.lynndawardle.com. Twitter: @lynndawardle5
STEPHEN WATT is a poet and performer from Dumbarton whose debut poetry collection Spit was published by Bonacia in 2012. Described by Milton Keynes Poet Laureate Mark Neil as “an exciting new voice on the scene”, Stephen has won the Poetry Rivals slam, StAnza Digital Poetry slam, the Tartan Treasures award, and the Hughie Healy Memorial trophy. He has also appeared at a fringe show for the Cuirt International Literature Festival in Galway, Ireland. Twitter: @stephenwattspit
ANDREW WELLS has had poems published in Lighthouse, Bare Fiction, 3:AM Magazine, & others. He edits HVTN, studies at UEA, and tweets @jefwingersapple.
CASPAR J. WILSON is a Glasgow University graduate with an MA in History and Classics and a nocturnal painting habit at Glasgow School of Art. He writes fiction, poetry, and about the lit/art scene. Twitter: @casparjwilson.
ANDY WIMBUSH is a teacher and researcher based in London. He holds a PhD in English from the University of Cambridge, and has written for London Fictions, Curiocity, The Journal of Beckett Studies, and Literature and Theology. Twitter: @AndyWimbush
SAM WISEMAN is a visiting lecturer in English Literature at the University of Potsdam and the University of Erfurt. His first book, The Reimagining of Place in English Modernism, was recently published by Clemson University Press. He also works as a tour guide in Berlin. Twitter: @SamAlexWiseman
DANIEL DAVIS WOOD is a novelist and essayist based in Birmingham. His début novel, Blood and Bone, won the 2014 Viva La Novella Prize, and his literary criticism has been shortlisted for the Observer/Anthony Burgess Foundation Prize for Arts Journalism and a Sydney Review of Books Emerging Critics Fellowship. He currently edits and writes for Splice (ThisIsSplice.co.uk), a small press and online review of adventurous, unconventional literature.