To contact any of the contributors, please write to the Glasgow Review of Books at glasgowreview [at] gmail [dot] com.


REBECCA DEWALD is a freelance translator with a PhD in Translation Studies from the University of Glasgow. She has published articles on Jorge Luis Borges and modernist translations, questioning the maintenance of a strict distinction between original works and translations. She co-edited the collection Bonds and Borders: Identity, Imagination and Transformation in Literature and the academic journal eSharp and contributes to New Books in German and the SALSA collective. Some of her literary translations can be found at the Free Word Centre and on her website. Twitter: @DeWald_Rebecca

MARK WEST teaches at the University of Glasgow and researches the Sixties in contemporary American fiction. He completed his PhD at the University of Glasgow and is currently revising his thesis, entitled “Between Times: 21st Century American Fiction and the ‘Long Sixties’,” for publication as a monograph. He reviews books for Review31 and Gutter, and has also written for 3AM Magazine, The ListTheState, Straight off the BeachType Review (Glasgow), and DANCEHALL. He is a former editor of eSharp. Twitter: @markpeterwest


SAMUEL TONGUE‘s first pamphlet Hauling-Out was published by Eyewear in 2016. He has published poems in numerous journals and anthologies including And Other Poems, Anon 7, Be The First to Like This: New Scottish Poetry, The Best New British and Irish Poets 2016, Blackbox ManifoldCompass, Cordite (Aus.), Envoi, Gutter, The Herald, Ink, Sweat and Tears, The Interpreter’s House, The List, The Lumen, MagmaNorthwords Now, and The Scotsman. His poem ‘The Rules of the Game’ was used to help celebrate the Glasgow Commonwealth Games Festival 2014. He received a Callan Gordon Award from the Scottish Book Trust in 2013. He lectures in Theology and Religious Studies at the University of Glasgow. Twitter: @SamuelTongue


EILIDH MCCABE is a fiction writer and freelance copywriter based in Glasgow. She holds a Masters in Creative Writing from the University of Glasgow, and is currently working on her first novel.


TOM WHITE is a PhD candidate at Birkbeck College, University of London. His thesis focuses on late medieval literature and textual/codicological culture, in particular the intersections and tensions between form and textual materiality in medieval manuscripts. He is also interested in contemporary ecological criticism and co-convenes the reading group Ecological Thought at Birkbeck. Tom releases ambient music under the moniker of Mt. Judge. Twitter: @_TomWhite_


KEVIN ADDIES is a library assistant who lives in Glasgow. He blogs about any number of things at Twitter: @kevin_addies

PETER ADKINS is a PhD candidate at the University of Kent, where he is writing a thesis on the novels of James Joyce, Virginia Woolf and Djuna Barnes in relation to questions of ecology, the nonhuman and the Anthropocene. His research interests span ecocriticism, critical theory, modernist writing, experimental fiction and animal studies. Twitter: @p_adkins87

LILIYA ALEKSANDROVA was born in Montana, Bulgaria. She has a degree in Law with Legal Studies in Europe from the University of Reading and an MPhil in European Literature and Culture from the University of Cambridge (St John’s College). She is currently studying for an MA in Translation (English and German) at the University of Vienna. She is fond of: deciphering song lyrics; foreign languages; lots and lots of black coffee; and travelling lightly.

EMILIE ANDERSON is an English and Comparative Literature student at the University of Glasgow. As a writer and illustrator, she explores new ways of merging the literary and the visual. Twitter: @emilieandersonx

TOM BETTERIDGE is a PhD candidate at the University of Glasgow, writing on Alain Badiou’s readings of late-modernist poetry and prose. He is the regional editor of the International Journal of Badiou Studies and has articles on Badiou, Heidegger and Paul Celan in Evental Aesthetics and forthcoming in Textual Practice. Other writings on noise and contemporary improvisation have appeared in DANCEHALL and in the accompanying literature of the Glasgow CCA’s Noise and Chaos: X/Y event. Some poetry can be found in the Edinburgh small press magazine Scree

MATTHEW BLAIDEN is studying for an M.Phil in Renaissance Literature at the University of Cambridge, based at Gonville and Caius College. His undergraduate studies were undertaken at King’s College London and, after completing the M.Phil, he hopes to pursue a PhD on Shakespeare. Aside from his academic work, Matthew is an active performing musician, playing organ recitals throughout the UK, and periodically blogs at Twitter: @mjblaiden.

WILLIAM BONAR‘s first pamphlet, Frostburn Steel, was published in 2004 by Dreadful Night Press and his poems have been published in a variety of newspapers, magazines and anthologies, including Fourfold 3 (June, 2014). He gained a distinction on the MLitt in Creative Writing at Glasgow University in 2008 and won the Jura Malt Whisky Prize at the Words Exhibition in the Mitchell Library in the same year. He was a participant on the Clydebuilt mentoring scheme (2009-10) under the tutelage of Liz Lochhead, and his poems appear in the anthology of that Clydebuilt cohort, North Light (Dreadful Night Press, 2012). His poem, Visiting Winter: A Johannesburg Quintet, originally published in Gutter 06, was chosen for the Scottish Poetry Library’s online anthology Best Scottish Poems of 2012. He is the recipient of the James Kirkup Memorial Poetry Prize for 2014 and his winning manuscript, Offering, will be published by Red Squirrel Press in Spring 2015.

MARK BRESNAN is Assistant Professor of English and Writing Coordinator at Stevenson University in Maryland. His research focuses on 21st-century American literature, and he has published essays on David Foster Wallace, Philip Roth, Jonathan Franzen, and Ben Fountain. He has a doctorate in English from the University of Iowa and has previously taught at New York University, St. Olaf College, and Marymount Manhattan. 

AMY BROMLEY is a PhD candidate at the University of Glasgow, studying the short fiction of Virginia Woolf. She also completed an undergraduate degree and MLitt in Modernities at Glasgow, where she is co-organizer of the Theory at Random reading group. She has further research interests in Surrealism, Modernity and Critical Theory, and has published work on Marcel Proust and Walter Benjamin. Twitter: @AmyBromley1990

KATIE BROWN has an unhealthy obsession with Venezuelan literature. She has recently completed a PhD on ‘The Contested Values of Literature in the Bolivarian Republic of Venezuela’ at King’s College London, and now teaches Spanish and Latin American culture at the University of Bristol. She runs, posting news, information about published translations and her own translations, and has also contributed to the Palabras Errantes translation project. Twitter: @katiebrown161

GRAEME MACRAE BURNET is the author of the literary crime novel The Disappearance of Adèle Bedeau, and the historical crime novel, His Bloody Project: Documents Relating to the Case of Roderick Macrae, which was shortlisted for the Man Booker Prize in 2016. He blogs, (mostly about Simenon) here:

GERRY CAMBRIDGE‘s fifth book of poems, Notes for Lighting a Fire (HappenStance, 2013), was shortlisted for the Scottish Mortgage Investment Trust’s Scottish Book of the Year 2013 award in the poetry section. A poet, critic, editor, typesetter and designer, Cambridge has edited the transatlantic poetry journal, The Dark Horse, which he also founded, since 1995.

EDMUND CHAPMAN currently teaches English Literature at the University of Manchester. His PhD thesis, ‘Afterlives: Benjamin, Derrida and Literature in Translation’ focussed on Walter Benjamin and Jacques Derrida’s theories of translation, and included chapters on Jorge Luis Borges, James Joyce and Aimé Césaire.

DEFNE ÇIZAKÇA is a writer, editor, and lecturer based in Istanbul. She holds a PhD in Creative Writing from the University of Glasgow, where she worked on a historical and magically real novel about fin de siècle Κωνσταντινούπολη. This book won her the Gillian Purvis Award for New Writing, and a Helene Wurlitzer Writing Residency in New Mexico. She is currently expanding it for publication. Defne is also the editor-in-chief of Unsettling Wonder: A Journal of Folk and Fairy Tales and the co-editor of three books, Tip Tap Flat: A View from Glasgow (Freight, 2012), New Fairy Tales: Essays and Stories (Unlocking Press, 2013) and Miscellaneous: Writing Inspired by the Hunterian (The Hunterian, 2014). You can find her writing at Twitter: @defnecizakca

A C CLARKE is a poet living in Glasgow and a member of Scottish PEN. Her latest collections areA Natural Curiosity, (New Voices Press), shortlisted for the 2012 Callum Macdonald Award, and Fr Meslier’s Confession (Oversteps Books). She has won several prizes, most recently the 2012 Second Light Long Poem competition and the 2013 Campbell Burns competition and has had poems published IN 2014 in two publications connected with Glasgow University, Miscellaneous, an anthology of poems about exhibits in the Hunterian Museum and Quaich, an anthology of translations by authors living in Scotland. She was one of seventeen poets commissioned to write a poem for the Mirrorball Commonwealth Poetry Anthology The Laws of the Game and is currently working on a fourth collection.

TOM COLES lives in Glasgow. He works as a postman, and blogs at Getting Worse.

SEBASTIAN CONSTANTINE is an Undergraduate at Jesus College, Cambridge, studying French, Italian and Dutch, and specialises in Linguistics, Golden Age writing, and New Wave thinking. His first collection of poetry was published in 2014, and subsequent poems have appeared in various arts journals in the UK. He spends much of his time producing, writing and translating plays (he is currently working on a new translation of Pirandello’s Enrico IV for publication) and is working on both a novel and a screenplay. At University, he is President of the Cambridge University Modern Languages Society and the University of Cambridge Philharmonic Orchestra. Twitter: @SebC4.

R. A. DAVIS is a bookseller and holds an MLitt in Creative Writing from the University of Glasgow.

LAURIE DONALDSON is an honours graduate of Glasgow University with a successful career in publishing. Living in Argyll, he is now a freelance writer and editor, writing on new research in nanotechnology, the environment, poetry and film, and editing books and articles on business and finance. His research interests include land reform in Scotland and the inheritance of film noir.

KARYN DOUGAN is a freelance proof reader, copy writer, editor and feature writer, and a reviewer for The List. She runs a creative project called Let’s Talk Scotland in association with the Scottish Association for Mental Health, and will be appearing in a Radio Scotland show in 2014 discussing mental health. She is a graduate of the University of Stirling’s English Studies program and works as a subtitler for Red Bee Media.

DAN ELTRINGHAM is working towards an AHRC-supported PhD at Birkbeck College, University of London, on William Wordsworth, J. H. Prynne, pastoral and the commons. He has published on R. F. Langley and Sean Bonney, with a book chapter forthcoming on Peter Riley and a commentary on Peter Larkin. His poetry and translations have appeared in Blackbox Manifold, The Goose: a Journal of Arts, Environment and Culture in Canada, The Clearing, Intercapillary Space, Alba Londres 6: Contemporary Mexican Poetry and Scabs are Rats Zine 4, as well as in two pamphlets, Mystics and Ithaca. He is working on his first full-length poetry collection, and co-edits Girasol Press and The Literateur.

ALEXANDER FREER is a PhD student at the Faculty of English, University of Cambridge, writing a dissertation on human and poetic development in Wordsworth. More generally, he writes about poetry, psychoanalysis, philosophy and 18th and 19th century aesthetics. You can follow his blog here. He is also a member of the university powerlifting team.

ALEX FLEMING translates contemporary literature and drama from Swedish and Russian. Her translations include works by Maxim Osipov, Ilya Chlaki, Alexei Slapovsky and Cilla Naumann. Having previously lived in Stockholm, Uppsala and Moscow, she is currently based in London. Twitter: @dapplyappley.

CALUM GARDNER is originally from Glasgow and is currently a PhD student at Cardiff University, working on the early reception of Roland Barthes in English-language literature. Calum has had writing on Barthes published in the Cambridge Humanities Review and poems in the journal Aufgabe. Other research interests include avant-garde poetry, the theory of metaphor, and the literary reception of Ludwig Wittgenstein. He is the editor of the poetry journal ZARF.

KYLIE GRANT is a writer, reviewer, gender studies student and library assistant based in Glasgow. She is currently working on her debut novel which was shortlisted for the Lucy Cavendish Fiction Prize 2011. She likes the feel of the ocean and being caught in the rain, however she is indifferent to Pina Coladas.

STEPHANIE GREEN is Irish/English, educated at Trinity College, Dublin, has an M.A. in Modernism in English Literature and Fine Art from Kent University and an MPhil in Creative Writing from Glasgow University, 2004.  Her pamphlet, Flout, will be published by HappenStance in 2015. Her novel for teenagers The Triple Spiral was published by Walker Books (1989) and she has had several drama scripts broadcast on BBC Schools. She has taught at all levels, most recently at the Office of Lifelong Learning, Edinburgh University, but also works as a freelance journalist and drama reviewer. Since 2000, she has lived in Edinburgh with her husband and their son.

DELAINA HASLAM is a journalist and editor turned translator. She lived in Brittany, Madrid, and London before settling in Sheffield last year. She’s written and edited publications including InMadrid magazine and le cool London. Twitter: @DelainaHaslam

OWEN HOLLAND is completing a PhD thesis on William Morris’s utopianism in the English Faculty at the University of Cambridge. He has had articles and book reviews published in the New Theatre QuarterlyStudies in Social and Political Thought, the Journal of Victorian Culture and the Victorian Network journal.

HANNAH VAN HOVE is currently completing a PhD on British avant-garde fiction at the University of Glasgow.

IAN HUNTER is a children’s writer, short story writer and poet, and his poems have appeared in magazines in the UK, USA and Canada, more recently in PhobosUrban Fantasist and Star*Line. He is a director of the Scottish writers collective “Read Raw”, as well as being a member of the Glasgow SF Writers Circle and is poetry editor for the British Fantasy Society’s Journal.

AILSA HUTTON is a PhD candidate at the University of Glasgow where her thesis is on topographical practice and picture-making in Scotland in the long eighteenth century. Her interests include travel writing, antiquarianism and the graphic arts.

EILIDH KANE has recently completed her PhD in English Literature and Theatre Studies. Her research interests include early modern authorship and collaboration, particularly co-writing, performance, printing and reading. Twitter: @eilidhkane

JOE KENNEDY is a writer and lecturer based in London. He has taught English and cultural theory at the Universities of East Anglia, Portsmouth, Brighton and Chichester, and his writing on music, literature and sport has appeared in publications such as the QuietusThe Times Literary Supplement and When Saturday Comes.

HENRY KING holds a PhD from the University of Glasgow. His poems and criticism have appeared in PN Review and elsewhere; he blogs at Between Sound and Sense.

ANNE KNIGGENDORF is a freelance writer near Kansas City, Kansas, and is a regular contributor to the Kansas City Star.  Her work has been published by the Smithsonian Magazine, the Saturday Evening Post, the Los Angeles Review of Books, the Chicago Review of Books, and Bluestem Magazine.  She is a graduate of St. John’s College, Santa Fe, New Mexico, and has a Master of Fine Arts in Creative Writing and Media Arts from the University of Missouri-Kansas City.  She is also a United States Navy veteran. Her website is:

STEVE KOMARNYCKYJ is a poet, literary translator and co-director of Kalyna Language Press along with Susie Speight, who acts as editor, financial director, and resident artist. Twitter: @SteveKomarnycky

CHRIS LAW is currently engaged in preparatory work for a PhD project on the topic of interpretation in Gilles Deleuze and Félix Guattari. He studied English Literature at the University of Glasgow and holds an MA in Aesthetics and Art Theory from the Centre for Research in Modern European Philosophy, Kingston University. Chris is from Glasgow but lives in London; some reviews and shorter pieces of writing can be found at his blog Open Boxes & Sealed Vessels.

LIN LI was employed as a researcher at Glasgow University and Dundee University for many years before changing her vocation to fine art. Moving image and sound are the core elements in her creative practice.  Her videos have been screened in various festivals in the UK and internationally.

MATT MACDONALD is a page and performance poet who gigs frequently across the Central Belt and North East of England.  His debut pamphlet Who Are Your People? was released in 2014, sold out its first printing in 4 months and the second edition is available now. Having successfully performed in the Edinburgh Fringe for the last 4 years, Matt is looking to bring two spoken word shows, a cabaret night and a play to the Fringe in 2016. His debut collection is due out late 2017/early 2018. @MattMacPoet.

LYN MARVEN is Senior Lecturer in German at the University of Liverpool, and a translator of modern German literature. Her translations include Long Days (Comma Press, 2008) and Berlin Tales (OUP, 2009), and she has published widely on contemporary German literature with a particular focus on Nobel Laureate Herta Müller, and Berlin literature. Twitter: @lynmarven

RICHIE McCAFFERY is the author of two pamphlets (Spinning Plates from HappenStance Press and the 2014 Callum Macdonald Memorial prize runner up, Ballast Flint). His recent collection Cairn is published by Nine Arches Press. He recently completed a PhD in Scottish Literature (The Scottish poets of World War Two) at The University of Glasgow. He is the editor of Finishing the Picture: The Collected Poems of Ian Abbot(Kennedy and Boyd, 2015) and is working on his third poetry pamphlet, due out in 2017. 

GERARD LEE McKEEVER is an academic and writer based in Thornhill, Dumfries & Galloway. He is currently publishing a series of short stories, with novel and screenplay projects ongoing (see Gerard holds a postdoctoral position in Scottish Literature at the University of Glasgow, where he completed a PhD in English Literature in 2014. He has a range of work published and forthcoming in his specialist field of Scottish Romanticism, and is a founding co-convener of the Scottish Romanticism Research Group at Glasgow. Twitter: @gmckeeverauthor

STEVE MENTZ teaches literature at St. John’s University in New York City. His ecocritical work in the “blue humanities” can be found in Shipwreck Modernity: Ecologies of Globalization, 1550-1719 (2015), At the Bottom of Shakespeare’s Ocean (2009), and various articles. Creative and critical poetry and essays can be found in the open-source collection, Oceanic New York (2015) and his blog, The Bookfish. He tweets at @stevermentz.

HELEN VICTORIA MURRAY is a writer, poet and critic. She is currently working towards an MRes at the University of Glasgow, focusing on the Pre-Raphaelite influence in Neo-Victorian literature and culture. Helen’s writing appears in several journals, including L’Éphémère ReviewThe Rising Phoenix ReviewAloud Magazine, and The Bohemyth. She can also be found at Twitter: @HelenVMurray

PATRICK J. MURRAY is a researcher at the University of Glasgow specialising in early modern studies. He has  written and published on a variety of topics, including the drama and Christopher Marlowe and teaching geography in the early seventeenth-century classroom.

MICHAEL O’BRIEN is a Secondary English Teacher and Tutor who completed an MA in English Literature at Aberdeen followed by a PGDE Secondary at Strathclyde University. He soon after attended the University of Nantes in France to gain a diploma in French Language and Literature. Michael now studies at the University of Glasgow and is working towards a PhD in English Literature. He has published on Aldous Huxley, Michel Foucault and Slajov Žižek. Recently he organised a conference on Publishing in Scotland at the University of Glasgow and is currently serving as an Editor with eSharp. His pastimes are running and weight-training. Twitter: @arbitraire

TIMOTHY OGENE is the author of The Day Ends Like Any Day (2017). Twitter: @timothyogene 

DANIEL O’GORMAN recently completed a PhD in post-9/11 fiction and critical theory in the Department of English at Royal Holloway, University of London and has taught English Literature, Creative Writing, and Visual and Material Culture at Buckinghamshire New University. He is a co-convenor of the Literary and Critical Theory Seminar at the Institute of English Studies, University of London, and contributes to the open-access journal of 21st Century Writing, Alluvium. Twitter: @danog85

AILSA PEATE is a a doctoral researcher in the department of Modern Languages and Cultures at the University of Liverpool. Her research focuses on detective fiction from post-Soviet Cuba and post-NAFTA Mexico, and investigates the representation of bodies and sexualities in texts which challenge the generic archetype. She received the 2016 Harold Blakemore prize for her work on Leonardo Padura’s novel Máscaras, and is co-editor of the forthcoming book Latin American Crime Scenes. She works as a research assistant at the Institute of Cultural Capital (investigating cultural legacy) and at the University of Liverpool (researching museum policy in Argentina and Chile); as such she is currently developing her research interests in rape discourse in Mexican museum exhibitions. Twitter handle: @ailsapeate

XENOBE PURVIS read English Literature at Oxford University, and has an MA in Creative Writing from Royal Holloway. She is a freelance writer and researcher, currently assisting in the preparation of a volume of Christopher Isherwood’s selected letters.

GRAHAM RIACH is currently complething his PhD on the contemporary South African short story at Emmanuel College, Cambridge. He works as a translator of French and Japanese, composes music for films, and writes for publications including The JunketTwitter: @GrahamRiach

NAOMI RICHARDS is doing a PhD in Creative Writing at Lancaster University.  She studied English Literature at Glasgow University and later completed a Master of Creative Writing at Auckland University, New Zealand, passing with Distinction in 2011. Since then she has had twelve short stories published in literary journals and one short story broadcast on National Radio. Her work can be found in journals such as Structo and Push and on her website Naomi also blogs on creativity at the University of Stirling’s site The Gothic Imagination

FIONA RINTOUL is a writer, journalist and translator based in Glasgow. Her first novel, The Leipzig Affair, was published on 10 November 2014 by Aurora Metro Books. Outside Verdun, her new translation of Arnold Zweig’s first world war classic Erziehung vor Verdun, was published in May 2014 by Freight Books.

CALUM RODGER is a poet and PhD candidate at the University of Glasgow working on the poetics of Scottish revolutionary Ian Hamilton Finlay. He is a Hunterian Associate and edited the scholarly book review The Kelvingrove Review. He runs regular poetry night The Verse Hearse, with Stewart Sanderson, and blogs at All Real Culture is Free. Twitter: @weecalrobot

ANDREW RUBENS is writing a PhD on French-Romanian poet and philosopher Benjamin Fondane. Although based at the University of Glasgow, he spends much of his time in Paris. He is also a translator; forthcoming translations include works of Fondane’s, an essay by Jean-Luc Marion and a book on Jean Genet. He is a former editor of eSharp.

STEWART SANDERSON was born in Glasgow in 1990. Widely published in prominent UK and Irish magazines, in 2014 he was shortlisted for the Edwin Morgan Poetry Award and in 2015 he received an Eric Gregory Award. His debut pamphlet Fios is published by Tapsalteerie.

KEVIN L. SCHWARTZ is a writer and scholar living in Washington, DC. He is currently a Kluge Fellow at the Library of Congress. His website is

RORY SCOTHORNE works as a researcher and campaigns organiser in Edinburgh, and will shortly begin a PhD at the University of Edinburgh studying the relationship between nationalism and the radical left in modern Scotland. His first book, co-authored with Cailean Gallagher and Amy Westwell, is titled Roch Winds: A Treacherous Guide To The State of Scotland (Luath, 2016). Rory, Cailean and Amy write together as the Roch Winds Collective at their blog. Rory tweets as @shirkerism

JESSICA SEQUEIRA is a writer and translator. She has published essays, stories and translations in the Boston Review, Los Angeles Review of Books, ReVista: Harvard Review of Latin AmericaModern Poetry in Translation, BerfroisLitro Magazine, Palabras Errantes, The Missing Slate, Ventana Latina and other publications. Twitter: @jess_sequeira

SAM SOLNICK recently completed a PhD on the relationship between contemporary poetry and the life sciences at Queen Mary, University of London, where he also teaches. He writes regularly for the Times Literary Supplement and is a contributing editor for the arts and politics quarterly The White Review.

ANNE STOKES teaches in Translation Studies at The University of Stirling. She is a literary translator of German fiction and non-fiction and recently translated a selection of poems by the (East) German poet Sarah Kirsch entitled Ice Roses (Carcanet, 2014). 

A. W. STROUSE studies medieval literature in the English doctoral program at the City University of New York (CUNY) Graduate Center and teaches at Hunter College. His poems, stories, and articles have appeared in various publications. He is the cofounder and curator of Ferro Strouse Gallery. His website is Twitter: @AWStrouse

RACHEL SYKES is a Lecturer in Contemporary American Literature at the University of Birmingham. Her first book, The Quiet Contemporary American Novel, is forthcoming with Manchester University Press and she has written and reviewed for The Independent, LSE Review of Books, U.S. Studies Online, Review 31, The Toast, and This Recording.

ANIKÓ SZILÁGYI is studying for a PhD in Translation Studies at Glasgow where she is translating a 1967 pseudo-children’s novel by Translyvanian-Hungarian author György Méhes. Anikó has published essays in Groundings and eSharp, and is currently co-editing a collection of essays on practice as research to be published with Cambridge Scholars. She also co-edits the University of Glasgow’s monthly Translation Studies newsletter, and is the founder and coordinator of the Glasgow University Translation Studies Postgraduate Research Network. Anikó was an invited speaker at the 2013 European Literature Night in Edinburgh, where she talked about her recently published Hungarian translation of Alice’s Adventures in Wonderland.

JACQUELINE THOMPSON is from Arbroath, and recently completed a Creative Writing PhD at the University of Edinburgh. She has reviewed for The ScotsmanThe SkinnyThe Bottle Imp and The Literateur, and her poems have appeared in The Scotsman, New Writing Scotland, Gutter and Poetry Ireland Review.

BECKY VARLEY-WINTER completed her PhD, titled Reading Fragments and Fragmentation: Stéphane Mallarmé, Mina Loy, Hope Mirrlees, at Cambridge in 2014. In 2015–16 she will be a stipendiary lecturer in English at Keble College, Oxford. Her research interests include literary fragments, femininity, translation, and visual culture. Rebecca is also a poet, a reviewer for various publications, and Poetry Reviews Editor at Sabotage Reviews. Twitter: @RVarleyWinter

LAURA WADDELL lives in Glasgow and works as Digital Marketing Executive at independent publisher Freight Books, as well as for Gutter Magazine. She is a graduate of the University of Glasgow and holds an M.Litt in Modernities, with a research focus on William Carlos Williams. She is a member of writers’ collective 26. Alongside reviews, she writes a book column for women’s collective/zine TYCI, social and political articles for numerous publications, and short fiction. Twitter: @lauraewaddell Twitter: @lauraewaddell

CLARE WALKER GORE is a PhD candidate at Selwyn College, Cambridge, and has recently handed in her thesis, Plotting Disability: Physical Difference, Characterisation and the Form of the Novel, 1837-1907. Her particular research interests are in disability history and women’s writing. She has published in Nineteenth-Century Contexts, Nineteenth-Century Gender Studies and in Women: A Cultural Review, contributed to the edited collection Queer Victorian Families, and is currently one of the BBC ‘New Generation Thinkersfor 2015-2016. You can find out more about Clare’s research on her page, and she can be found on twitter @CHWGore.

LYNNDA WARDLE studied English and Comparative Literature at the University of Witwatersrand, Johannesburg. In 2007 she received a Scottish Arts Council new writer’s grant and has had poems, stories and essays published in various magazines, including thi wurd and Gutter. She is the community development officer for an interfaith charity in Glasgow. More of her writing can be found on her website at Twitter: @lynndawardle5

STEPHEN WATT is a poet and performer from Dumbarton whose debut poetry collection Spit was published by Bonacia in 2012. Described by Milton Keynes Poet Laureate Mark Neil as “an exciting new voice on the scene”, Stephen has won the Poetry Rivals slam, StAnza Digital Poetry slam, the Tartan Treasures award, and the Hughie Healy Memorial trophy. He has also appeared at a fringe show for the Cuirt International Literature Festival in Galway, Ireland. Twitter: @stephenwattspit

CASPAR J. WILSON is a Glasgow University graduate with an MA in History and Classics and a nocturnal painting habit at Glasgow School of Art. He writes fiction, poetry, and about the lit/art scene. Twitter: @casparjwilson.

ANDY WIMBUSH is a teacher and researcher based in London. He holds a PhD in English from the University of Cambridge, and has written for London Fictions, Curiocity, The Journal of Beckett Studies, and Literature and Theology. Twitter: @AndyWimbush
SAM WISEMAN is a visiting lecturer in English Literature at the University of Potsdam and the University of Erfurt. His first book, The Reimagining of Place in English Modernism, was recently published by Clemson University Press. He also works as a tour guide in Berlin. Twitter: @SamAlexWiseman