grbed

6 July 2025

‘IT IS NOT EASY TO LOSE HOPE’: Hassan Blasim on ‘Sololand’ & More
26 June 2025

“I’ll MAK YON SINGLE INCH O SCOATLAN SHINE”: On ‘Esther’ by David Kinloch.
25 March 2025

THE JUGGERNAUT CAN BE STOPPED: Ewan Morrison on ‘For Emma’ & Resisting The Rise of Techno-Capital
26 February 2025

NOW IS THE TIME OF MONSTERS: Heather Parry On ‘Carrion Crow’
19 January 2025

FEMINISM SHOWS THE WAY: On Shame, Masculinity & Spoiling For A Fight
15 December 2024

FOLLOWING YONDER SLAM: Scotland At The World Poetry Slam Series.
28 November 2024

A WOMAN LIKE THAT IS NOT A WOMAN, QUITE: On ‘Constructing A Witch’ by Helen Ivory
21 November 2024

A MULTITUDE AT ONCE: On ‘Alphabetical Diaries’ by Sheila Heti
10 November 2024

LIKE SLOW LIGHTNING: Gerry McGrath On ‘All the Pretty Lights’ & More
31 October 2024

A CELEBRATION OF RESILIENCE: On ‘The Bone Folder’ by Cáit O’Neill McCullagh
17 October 2024

UNSEEN POSSIBILITIES: On Entanglement & The Story Of Schrodinger’s Wife
10 October 2024

REALITY IS ALWAYS WAITING: On ‘Prophet Song’, THE Novel For Our Times
3 October 2024

HISTORY LAID BARE: On ‘Belfast To Baillieston’ by Charlie Gracie
26 September 2024

GOOD WRITING HAS TO HURT: Rodge Glass on ‘Joshua In The Sky: A Blood Memoir’
19 September 2024

FIRE AS COMPANION: Janette Ayachi on ‘Quick Fire, Slow Burning’ & More
15 September 2024

NARRATIVES OF LIFE: On ‘Diverted to Split’ by Hugh McMillan
25 August 2024

EPIPHANY & CATHARSIS: A Look Back At the Loud Poets Grand Slam Final
20 August 2024

POISED IN THE ACT: On thi wurd’s New Anthology, ‘Earthly Rewards’
16 August 2024

PEOPLE WERE MAKING SERIOUS MONEY: The Edinburgh Fringe Story – So Far . . .
12 August 2024

I FEEL LIKE IT’S INFINITE: Jen Hadfield on ‘Storm Pegs’ & More
11 August 2024

THE NEW WILL ALWAYS ARRIVE: An Interview With The Edwin Morgan Poetry Award Short-Listed Poets
4 August 2024

THE CAGES AROUND US: Russell Jones On Loneliness and ‘Bucket List’
1 August 2024

DESIRE AND THE BODY: On ‘Look To the Crocus’ by Marion McCready
24 July 2024

STRETCHING THE TONGUE: On Michel Tremblay’s Plays in Scots (trans. by Bill Findlay & Martin Bowman)