Review

27 May 2019

“Sounds how the cutting of time might”: O. at the Edge of the Gorge by Martyn Crucefix
7 May 2019

Even More Mad: Ariana Harwicz, ‘Feebleminded’, translated by Carolina Orloff and Annie McDermott
30 April 2019

The Mundane Goes Weird: ‘Live Show: Drink Included’ by Vicky Grut
5 March 2019

LYRIC MEDIUMS: Kate Bush’s ‘How To Be Invisible’
19 December 2018

READS OF THE YEAR 2018: Richard Price
18 December 2018

FROM MECHANISMS, TOWARDS THE HUMAN BODY: ALISON GRAHAM REVIEWS TIMOTHY OGENE’S ‘DESCENT & OTHER POEMS’
6 December 2018

PARTIAL SYMMETRIES: Norah Lange’s ‘People in the Room’ and Carla Maliandi’s ‘The German Room’
3 December 2018

REVIEW, BUT NOT REALLY A REVIEW: EDWARD O’DWYER READS ALI WHITELOCK’S ‘AND MY HEART CRUMPLES LIKE A COKE CAN’
30 October 2018

FALLING FOR THE ORIENT ALL OVER AGAIN: Mathias Enard’s ‘Compass’
30 September 2018

OLD ECCENTRICS. PATHETIC HIPPIES: Subversion and Ecology in Olga Tokarczuk’s ‘Drive Your Plow Over the Bones of the Dead’
25 September 2018

AESTHETICS OF THE CREPUSCULAR: Esther Kinsky’s ‘River’, trans. by Iain Galbraith
18 September 2018

LEANING TOWARDS ECOSEXUAL: Greta Gaard’s ‘Critical Ecofeminism’
31 August 2018

‘AH ASKT YI YIR NAME’: GRAHAM FULTON’S ‘CIRCULATION’
28 August 2018

EIBF 2018: LENDING A VOICE: Translated Literature and Migration
2 August 2018

ANTHOLOGISING THE ANTHROPOCENE: ‘Arts of Living on a Damaged Planet’ and ‘Veer Ecology’
19 July 2018

CHARCO PRESS: Making Waves with Writers from Across the Pond
21 June 2018

The Poetics of Sand: Psammomancy by Brian Lavelle and Mark Valentine
19 June 2018

I WAS HERE: ‘SOUVENIR’ BY ROLF POTTS
17 May 2018

WHAT DID WE DO?
8 May 2018

FAITH IN GREATER THINGS: ANA BLANDIANA’S ‘THE SUN OF HEREAFTER / THE EBB OF THE SENSES’
18 April 2018

HISTORY’S MESH: ‘Ghosts on the Shore: Travels Along Germany’s Baltic Coast’ by Paul Scraton
2 April 2018

RULES AND IRREALIS: ‘THE ART OF NAMING’ BY MICHAEL OHL
1 March 2018

A CONTEMPORARY PERSPECTIVE: ‘Conradology,’ edited by Becky Harrison and Magda Raczynska
30 January 2018

A BILINGUAL NOTICE: ‘Suite for Barbara Loden’ by Nathalie Léger, translated by Natasha Lehrer and Cécile Menon